'What an artist is trying to do for people is bring them closer to
something, because of course art is about sharing: you wouldn't be an
artist if you didn't want to share an experience, a thought.' David
Hockney
Lillie's
1970
Original hand signed and numbered lithograph on Japan Paper
One of the most important and influential British artists of the twentieth century, David Hockney's work embodies the very essence of 60's Pop Art. His most recent retrospective, 'A Bigger Picture,' at the Royal Academy, showcased a major collection of 150 of Hockney's works spanning his three decades in the art world. Not only famous for his paintings, Hockney has worked with various different media, including photo collages, and most recently creating still life's and landscapes using his iPad.
Paper Size: 75.5 x 52.8 cm / 29.7 x 20.7 in
Image Size: 64 x 52 cm / 25.1 x 20.4 in
Additional Information: This original lithograph is hand signed in pencil by the artist "Hockney" in the lower right margin.
It is hand numbered in pencil "XXX/XXXV" (30/35) next to the signature. It is also dated "71" (1971) in pencil.
This lithograph was the third plate in the portfolio "Europäische Graphik VII-Englische Künstler" (European Graphic-English Artists) published by Edition Galerie Wolfgang Ketterer with co-operation of the editor Felix H. Man, Munich, 1971
Image Size: 64 x 52 cm / 25.1 x 20.4 in
Additional Information: This original lithograph is hand signed in pencil by the artist "Hockney" in the lower right margin.
It is hand numbered in pencil "XXX/XXXV" (30/35) next to the signature. It is also dated "71" (1971) in pencil.
This lithograph was the third plate in the portfolio "Europäische Graphik VII-Englische Künstler" (European Graphic-English Artists) published by Edition Galerie Wolfgang Ketterer with co-operation of the editor Felix H. Man, Munich, 1971
It was printed by Stanley Jones at the Curwen Studios, London, in a
limited edition of 35 impressions on Japan paper and 65 on Arches paper.
There were a further artists proofs of respectively 12 for the edition
on Japan paper and 18 for the edition on Arches.David Hockney realised this print just after the Grimms illustrations.
He, at the time, found that cross-hatching could add a textural variety
to his lithographs, a in Lillies 1971, and in the black and white colour
versions of Flowers made of paper and ink of the same year. (See
illustrations in Hockney, Pleasures of the Senses)
Literature: David Hockney prints 1954-77, Petersburg Press for the Midland Art Group And the Scottish Arts Council, 1979
Reference: Scottish Art Council 118
Condition: Very Good Condition.
Literature: David Hockney prints 1954-77, Petersburg Press for the Midland Art Group And the Scottish Arts Council, 1979
Reference: Scottish Art Council 118
Condition: Very Good Condition.
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